After having put the work aside for almost a year, I started working on MOROS again this spring. As opposed as what I wrote in my last post on MOROS, I got into the 3rd generation of the family tree before I called it a day. Over 200 samples, most of them between 30 sec and 1 minute long. Putting this together with the notated material was a joy, and the piece seems in its final stage now. The premiere is not before December 2014, I'll start working on it with Oguz and Laura somewhere late fall, and then we'll see how it really works out. Because MIDI-instruments only get you so far.

O, and I will also put this into my Score System, a SuperCollider program that I'm developing to be able to have cues for players to trigger electronic events that more or less then run on their own.

In a way this piece was forshadowed during the Shackle tour in April, as I've started using some of the samples from the family tree in my live set. I like this: quoting yourself, disregarding time.